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Benjamin West
Choice of Hercules between Virtue and Pleasure
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ID: 75348
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Benjamin West
1738-1820
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Benjamin West RA (October 10, 1738 ?C March 11, 1820) was an Anglo-American painter of historical scenes around and after the time of the American War of Independence. He was the second president of the Royal Academy serving from 1792 to 1805 and 1806 to 1820.
In 1760, sponsored by Smith and William Allen, reputed to be the wealthiest man in Philadelphia, West traveled to Italy where he expanded his repertoire by copying the works of Italian painters such as Titian and Raphael.
As painted by Gilbert Stuart, 1783-84West was a close friend of Benjamin Franklin, whose portrait he painted. Franklin was also the godfather of West's second son, Benjamin.
In 1763, West moved to England, where he was commissioned by King George III to create portraits of members of the royal family. The king himself was twice painted by him. He painted his most famous, and possibly most influential painting, The Death of General Wolfe, in 1770, exhibited at the Royal Academy in 1771. Although originally snubbed by Sir Joshua Reynolds, the famous portrait painter and President of the Royal Academy, and others as over ambitious, the painting became one of the most frequently reproduced images of the period.
In 1772, King George appointed him historical painter to the court at an annual fee of £1,000. With Reynolds, West founded the Royal Academy of Arts in 1768. He was the second president of the Royal Academy from 1792 to 1805. He was re-elected in 1806 and was president until his death in 1820. He was Surveyor of the King's Pictures from 1791 until his death. Many American artists studied under him in London, including Charles Willson Peale, Rembrandt Peale, Gilbert Stuart, John Trumbull, and Thomas Sully. [3]
West is known for his large scale history paintings, which use expressive figures, colours and compositional schemes to help the spectator to identify with the scene represented. West called this "epic representation".
He died in London. Related Paintings of Benjamin West :. | Cicero Discovering the Tomb of Archimedes | The Ambassador from Tunis with His Attendants as He Appeared in England in 1781 | Pylades and Orestes Brought as Victims before Iphigenia | The Death of General Wolfe | Recreation by our Gallery | Related Artists: SANCHEZ COELLO, AlonsoSpanish Painter, ca.1531-1588
was a portrait painter of the Spanish Renaissance and one of the pioneers of the great tradition of Spanish portrait painting. Alonso Senchez Coello spent his childhood in Benifair de les Valls, until the death of his father when he was around ten years old. He was educated in Portugal at his grandfather's home. Coello's years in Portugal and his family name of Portuguese origin led to a long-standing belief that he was in fact Portuguese. His grandfather (after whom he was named) was in the service of King John III of Portugal who sent the young painter to study with Anthonis Mor (also known as Antonio Moro) in Flanders around 1550. He was under the service of Antoine de Granville, bishop of Arras, learning from Mor. While studying in Flanders, Coello also spent time copying some of Titian's works. In 1552, the painter went to Lisbon with Anthonis Mor when Charles V commissioned Mor to paint the Portuguese royal family. For a few years, Senchez Coello remained in Portugal working for the court of the heir to the throne, John, Crown Prince of Portugal. After the prince's death, Senchez Coello moved to the Spanish court of Philip II, having been recommended by the widow of John, Juana, who was the sister of the Spanish king. In 1555, S??nchez Coello was in Valladolid working for the Spanish court, and when Mor left Spain in 1561, Senchez Coello took his former master's place as Court Painter. Senchez Coello married Louisa Reyaltes in either 1560 or 1561 in Valladolid, and they had seven children. Coello's daughter, Isabel Senchez (1564-1612), Antoine Coypel1661-1722
French
Antoine Coypel Location
Antoine studied at the Coll?ge d Harcourt and then trained in his father studio and at the Academie Royale. In 1672 No Coypel was made Director of the Academie de France in Rome, and Antoine, who accompanied his father to Italy, benefited from the education given to the students there. He also joined in their long sessions spent copying Raphael frescoes in the Vatican Loggie and the works of the Carracci and Domenichino in the Palazzo Farnese. He met Giovanni Lorenzo Bernini and Carlo Maratti and was awarded a drawing prize by the Accademia di S Luca. During his return journey Antoine stopped in northern Italy to study the works of Correggio Luis Ricardo FaleroLuis Ricardo Falero (1851 - December 7, 1896) was a Spanish painter. He specialized in female nudes and mythological and fantasy settings. Most of his paintings contained at least one female nude or topless nude. His most common medium was oil on canvas.
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